we listen
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Mickey Mouse: Mr. Stokowski. Mr. Stokowski! Ha! My congratulations, sir.
Leopold Stokowski: Congratulations to you, Mickey.
Mickey Mouse: Gee, thanks. Well, so long. I'll be seein' ya!
Leopold Stokowski: Goodbye.
In 1940, before the world would be plunged into a half decade of devastating conflict, a larger-than-life cartoon creator teamed up with a wild-haired orchestra conductor and unleashed a fantastical film that would forever change the way we experience movies. The morning after the gala event at the Broadway Theater in New York City, The New York Times critic Bosley Crowther said, "The music comes not simply from the screen, but from everywhere; it is as if a hearer were in the midst of the music." Even with all the wondrous characters, vivid animation, and whimsical storytelling of this new film, it was the sound that stole the show.
"I like to be surrounded by splendid things."
Freddie Mercury
1.0, 2.0, 4.0, 5.1, 7.1, 10.2, 11.1, 22.2 – the numbers get bigger and bigger, like monsters stomping toward us. Oh no, we're surrounded! And it's a good thing!
“Even if you're on the right track, you'll get run over if you just sit there.”
Will Rogers
It's said that when an early motion picture was first shown to the public, women fainted and men ducked from an approaching train. The director made a bold new decision that would alter the course of filmmaking for the next century. Instead of just placing the camera in front of all the action like an audience watching a stage, the director moved the camera to a new position - within the action - to create perspective. There were more changes on the way. About a hundred years ago, the first color and 3D films were being created. In an Avant Garde era when artists were distorting reality, most filmmakers were trying to recreate reality and immerse the viewers into it.
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